three pages - three lines

 here is the demo I did in class on that grey day . . .

 


and another one while we were all working together - 

and then from today - when I was beginning to feel lost - lose my way . . . 

different weather - still those brown branches showing up - I did this a few times until it felt like it landed - the calligraphic act is one shot - and then another - and another. And if you do it too many times you can feel you're about to kill the life there ! Knowing when to stop and let it be . . .


 




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Our three-line poems

Squirrel nest Falling nuts Noticing Warm rain Slippery mud Going in Water tower Climbing and sweating Crunching feet Puffy cotton clouds Moving shadows Changing Puffy cotton clouds Moving shadows Shifting feel on skin Puffy cotton clouds Moving shadows Goosebumps Swaying branches Grey snow Dancing galoshes Boundless outer space Deep valley opening wide National Parks
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my freewrite: When I make a line I have to be present in my body. I have to remember to keep my feet on the floor - and I am very prone to squirming. I have to keep the brush vertical and my wrist cocked. I have to rotate gently while keeping the line straight - and to feel that I am moving from my core, rather than from my head. I have to exercise gentleness and precision in order to get the rounded-edge at the beginning, 'folding over the laundry' gently so that my brush doesn't end up flattened into two factions of threads. I have to remember not to hold my breath. If I fail at any of these things, I have to let it go and continue on with the process. When I make a line the line becomes the evidence of my existence. The whole world dims and it's just me and the brush and the page. -Katie
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